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                <text>Cover watercolor painting of a Varied Thrush (Ixoreus nuevius) in a naturally fragmented western landscape and a Kentucky Warbler (Oporornis formosus) in an anthropogenically fragmented eastern landscape, by Wendell Minor</text>
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                <text>Varied Thrush (&lt;span&gt;&lt;em&gt;Ixoreus naevius&lt;/em&gt;),&amp;nbsp;&lt;/span&gt;Kentucky Warbler (&lt;em&gt;Geothlypis formosa&lt;/em&gt;)</text>
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                <text>Watercolor painting of a Varied Thrush and Kentucky Warbler, painted by Wendell Minor, published by &lt;em&gt;Studies in Avian Biology&lt;/em&gt; (2002), vol. 25</text>
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                <text>&lt;em&gt;Studies in Avian Biology&lt;/em&gt; 25</text>
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                <text>Studio portrait of Erna Fergusson.  She is seated and looking slightly to the left.  She is wearing a light-colored hat and an elaborate ruffled collar over a dark suit.</text>
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                <text>Will Connell</text>
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                <text>Palace of the Governors Photo Archives, New Mexico History Museum, Santa Fe</text>
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                <text>A California Scrub Jay, photographed by William J. Carmen, published by &lt;em&gt;Studies in Avian Biology&lt;/em&gt; (2004), vol. 28</text>
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                <text>Dates: 1920-1999&#13;
Size: 162 x 97 cm&#13;
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                <text>Dates: 1900-1925&#13;
Size: 163.5 x 114 cm&#13;
Description: The Crystal Trading Post was run by John B. Moore starting in 1897. He incorporated a new marketing technique that introduced Anglo-American customers to Navajo weaving through mail order catalogues. Each catalogue had a series of weaving patterns(comma) sizes(comma) qualities(comma) and colors from which the customer could choose. Although rugs were based on the catalogue patterns(comma) no two designs were ever the same. The Old Crystal type of weaving broke with traditional Navajo designs and incorporated popular Near Eastern rug motifs(comma) including adding borders and incorporating a central motif. Also characteristic of the Old Crystal style is a more muted color scheme(comma) with the incorporation of only red and touches of blue for bright colors. This example incorporates natural and aniline dyes to create shades of black(comma) gray(comma) tan(comma) red(comma) orange(comma) and blue.</text>
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                <text>Dates: 1915-1945&#13;
Size: 148 x 104.5 cm&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This example incorporates shades of red(comma) black(comma) and white to create a diagonal zigzag pattern.</text>
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Size: 244 x 143 cm&#13;
Description: After a decline in the Navajo rug market during the Great Depression(comma) a revival period(comma) focused in northeastern Arizona(comma) brought back stylized classic designs made with vegetable dyed wools. One of the best known regional types is the Ganado style. The modern regional Ganado type is distinguished by the use of predominately red(comma) gray(comma) ivory(comma) and black in bold designs. Motifs can include stepped diamonds and triangles(comma) central lozenges(comma) crosses(comma) and zigzags. This regional example was collected by Edward Gifford's father while working for the Bureau of Indian Affairs in the early 1930's and is made of natural browns and aniline dyed red wool.</text>
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                <text>Dates: 2012&#13;
Description: This rug was commissioned from Anita Hathale specifically for the 2012 Navajo weaving exhibition.  It depicts the Twin War Gods(comma) Naayéé' Neizghání (Monster Slayer) and TóBajishchíní (Born-for-Water). In their legendary search for their father the Sun(comma) the twins faced many trials(comma) one of which involved climbing over a huge sand dune. The colors in this rug-black(comma) white(comma) yellow and blue are associated with the four cardinal directions as well as specific Navajo songs(comma) stories and philosophies.</text>
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                <text>Dates: 1930-1939&#13;
Size: 72.5 x 66 cm; 6 warps(comma) 18 wefts&#13;
Description: Tapestry weave with goat hair tufts woven in at 1 intervals. This type of mat was frequently used by a weaver as a cushion while working."</text>
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