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                <text>Dates: 1880-1890&#13;
Size: 196 x 144 cm; 9 warps(comma) 44 wefts&#13;
Description: This is an eyedazzler made with aniline dyed wool from Germantown(comma) PA(comma) to create shades of purple(comma) blue(comma) red(comma) green(comma) and white. Produced in the late 20th century(comma) the Germantown type of Navajo rug was made with machine spun and died wool that was brought into the area(comma) and often supplied to the weavers(comma) by trading post owners. These machine made materials introduced a more diverse number of bright colors that resulted in eye dazzling" creations."</text>
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        <name>Eyedazzler</name>
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                <text>Dates: 1880-1900&#13;
Size: 171.5 x 132 cm; 6 warps(comma) 34 wefts&#13;
Description: This is an example of the unique wedge weave(comma) or pulled warp(comma) structure practiced by Navajo weavers from about 1870 to 1890. This form of weaving broke with the traditional horizontal orientation of weft (or how yarn was passed over and under the stationary warp threads) to a diagonal orientation. Although this weaving technique is a more efficient way to create diagonals(comma) it effects the structure of the rug or blanket. Wedge weaves are characterized by zigzag lines and scalloped edges. This example is made of natural(comma) carded(comma) and aniline colors. The use of the aniline dyes from Germantown(comma) PA(comma) allowed the incorporation of more stunningly bright colors.</text>
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                <text>Dates: 1850-1860&#13;
Size: 142 x 183 cm; 11 warps(comma) 58 wefts&#13;
Description: This is an example of a phase II chief's blanket that was traded by the Navajo to Plains groups. Such wearing blankets are considered the high point of traditional Navajo weaving. All chief's blankets are woven with a greater width than length and are characterized by broad horizontal black and white stripes with three perpendicular bands. Phase II is distinguished by an elaboration of the three thick bands found on the phase I blanket. The design is created with natural(comma) indigo(comma) and cochineal dyed wool to create shades of white(comma) brown(comma) blue and red.</text>
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                <text>Dates: 1850-1860&#13;
Size: 128 x 161 cm; 10 warps(comma) 56 wefts&#13;
Description: This is an example of a phase I chief's blanket. Such wearing blankets are considered the high point of traditional Navajo weaving. All chief's blankets are woven with a greater width than length and are characterized by broad horizontal black and white stripes with three perpendicular bands. Chief's blankets were traded by the Navajo to other indigenous groups(comma) including the Ute(comma) Plains groups(comma) and Pueblos. The phase I style is characterized by red and blue stripes. Ute tribes particularly preferred the phase I design(comma) even when the more elaborately decorated phase II and III chief's blankets hit the market. This blanket was given to Major General Frederick Funston in 1915. Although Funston is known for his role in both the Spanish-American and Philippine-American wars(comma) it was during the conflict with Mexico in 1914 to 1916 that he found himself in the Southwest. During this time he occupied the city of Veracruz and took part in the hunt for Pancho Villa.</text>
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                <text>Dates: 1948&#13;
Size: 147 x 145.5 cm; 6 warps(comma) 13 wefts&#13;
Description: Woven by Mary Woodman with natural and aniline dyed wool(comma) this is a copy of a Pendleton Mills machine-made woman's shawl. Pendleton Mills is an Oregon woolen mill that has a history since 1909 of producing blankets(comma) robes(comma) and shawls that are prized by the Native American community. The shawl that is recreated here is based on one of the earlier designs.</text>
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                <text>Dates: 1900&#13;
Size: 254 x 144 cm; 10 warps(comma) 54 wefts&#13;
Description: This rug is tied to the Hubbell Trading post established in Ganado(comma) Arizona(comma) in 1876 by Lorenzo Hubbell. Hubbell was one of two major traders integral in promoting Navajo weaving in the Euro-American market. Initial designs made at the Post incorporated traditional Navajo weaving designs(comma) while in the early 20th century styles began to incorporate popular Near East motifs. The Hubbell Revival (or Old Ganado) style of rug is characterized by stepped diamonds and embellished triangles. The color of such rugs is typically dominated by red with black(comma) gray(comma) and ivory details. This version is made of aniline dyed wool in shades of blue(comma) black(comma) red(comma) white(comma) and purple.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dates: 1870-1880&#13;
Size: 190.5 x 34.5 cm; 12 warps(comma) 48 wefts&#13;
Description: During the late 19th century Navajo weaving went through a period of transition where the market changed from creating wearing blankets to weaving rugs for Anglo-Americans. This new trade was funneled through trading posts where synthetic dyes and machine produced wool and yarn were made readily available. Rugs from this transitional period (1868 to 1900) are characterized as more coarsely woven with very bright colors. This blanket is made of cotton and wool dyed with indigo(comma) aniline(comma) and cochineal to create eyedazzling" shades of red(comma) black(comma) and white."</text>
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        <name>Navajo Rugs</name>
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        <name>Transitional Blanket</name>
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                <text>Dates: 1860-1870&#13;
Size: 145.5 x 83 cm; 13 warps(comma) 46 wefts&#13;
Description: Prior to 1880 the majority of Navajo weavings were garments meant to be worn. This is an example of a child's design" that is smaller and more decorative than earlier wearing blankets. Although such designs were used by children(comma) they also functioned as saddle blankets(comma) hogan doorway covers(comma) and early trade materials with military personnel. This blanket is made of handspun wool with natural and vegetal colors (including indigo and cochineal)(comma) as well as raveled red yarn and raveled/carded pink. "</text>
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        <name>Navajo Rugs</name>
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                <text>Dates: 1860-1870&#13;
Size: 151 x 72 cm&#13;
Description: Prior to 1880 the majority of Navajo weavings were garments meant to be worn. This is an example of a child's design" that is smaller and more decorative than earlier wearing blankets. Although such designs were used by children(comma) they also functioned as saddle blankets(comma) hogan doorway covers(comma) and early trade materials with military personnel. This example is made of wool colored with cochineal(comma) vegetal(comma) indigo(comma) and natural dyes to create shades of pink(comma) blue(comma) black(comma) and white."</text>
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        <name>Navajo Rugs</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dates: 1885-1895&#13;
Size: 211 x 126 cm; (handspun) 10 warps(comma) 26 wefts; (commercial) 10 warps(comma) 30 wefts&#13;
Description: Eyedazzler designs are known for their unusually bright colors and intricate designs that create an optical effect. The bright colors are a result of Germantown(comma) PA(comma) wool yarns that were traded/supplied to Navajo weavers predominantly during the Transitional Period (1880-1895). Blankets from the Transitional Period are characterized by banded ends. This version has a stepped diamond design created in shades of orange(comma) white(comma) purple(comma) gray(comma) green(comma) beige(comma) and red. It was purchased in 1895 by Earl Morris.</text>
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